《胡迪尼剧院的消失女子》/原名:《Escamotage d'une dame au théâtre Robert Houdin》/又名:《The Conjuring of a Woman at the House of Robert Houdin / The Vanishing Lady / 消失女子 / 贵妇人的失踪》,上映日期:1896-10(法国),star film 70 魔術戲法在停格再拍的手法中,找到了相應的「電影化」手法,這把戲可讓梅里葉樂上好一陣子。不過,為了增加噱頭,骷髏也不斷地在這類影片中出現。(肥內)An elegantly dressed man enters through a stage door onto a set with decorated back screen, a chair and small table. He brings a well-dressed women through the door, spreads a newspaper on the floor, and places the chair on it. She sits and fans herself; he covers her with a diaphanous cloth. She disappears; he tries to conjure her back with incomplete results. Can he go beyond the bare bones of a conjuring trick and succeed in the complete reconstitution of a the lady?《胡迪尼剧院的消失女子》百度云网盘资源以及《胡迪尼剧院的消失女子》高清mp4迅雷下载,《胡迪尼剧院的消失女子》BT下载,希望您能喜欢!
For the film, Méliès needed no trapdoor, using instead an editing technique called the substitution splice. The Vanishing Lady marks Méliès's first known use of the effect.
梅里爱的小把戏 https://www.bilibili.com/video/av7941089?from=search&seid=662954437553496519
我拍短片/视频时也曾用过类似的剪辑手法。
For the film, Méliès needed no trapdoor, using instead an editing technique called the substitution splice. The Vanishing Lady marks Méliès's first known use of the effect.
1896年,刚发现“停机再开”的乔治·梅里爱实在是太激动了…感觉这一年都在“停机再开”的“魔术表演”中度过…相较于同年作品,Escamotage d'une dame chez Robert-Houdin 的剪辑痕迹十分明显。
固定视角,舞台表演风格(布景,谢幕),魔术,停机再拍,美女变骷髅。Star Film 70,Georges Melies - First Wizard of Cinema vol.1 (1896-1901)(3'位置)
魔术 http://v.youku.com/v_show/id_XNDM0NzQ5Njcy.html
意外地看到了另一部做得更好的影片......
这就是传说中那部《贵妇人的失踪》嘛? 第一部运用停机再拍的影片
梅丽爱非常喜欢搞的魔术小把戏
http://www.tudou.com/programs/view/EU8AJgxJqXE/
停格再拍,曾让多少魔术师失业。
露了腿再消失,大概更加振奋人心
停机再拍,这个真有创意。
1896 停机再拍。虽然第一次和第三次非常的假 但是骷髅那段几乎毫无破绽!
可以想象当时在电影院的人会有多么惊奇;最后变回来的那次居然没看出剪辑的痕迹
梅里爱喜欢的小把戏,单镜头,舞台痕迹严重,甚至还安排了演员谢幕。
尚不成熟的停机摆拍
Star Films #70。梅里爱的惯用伎俩,停机再拍
剪辑开始啦!
单镜头,trick substitution。